Metallica discography review ep
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Conveniently, Metallica sequences the tracks in the same running order as the finished album, so listeners not only hear the individual tracks, but, collectively, an early version of the whole album from start to finish. The second CD documents the record’s origins and context. Although it was their major label debut, Metallica made it clear there would be no compromises. Whether it’s the acoustic tripwire leading into the explosive, all-out assault of the appropriately titled “Battery,” the furious thrash of title track “Master of Puppets,” The chugging “The Thing That Should Not Be,” The eeriness of “Welcome Home (Sanitarium),” the angry gallop and thrashout of “Disposable Heroes,” “Leper Messiah’s” condemnation of televangelists, the complexity and many moods of the extended instrumental “Orion,” or the final sledgehammer of “Damage, Inc.,” all of these tracks form one of the most essential documents of thrash metal. Master of Puppets (1986) certainly has plenty to recommend it for the top spot. It’s Master of Puppets that third, middle album, and their last with Burton, that some feel represents Metallica’s peak. As divisive as it was commercially successful, Metallica (1991) set the band’s new direction with pristine production and pruned songs. Follow up Ride the Lightning (1984) released just barely a year later shows the band expanding its range from the brute force of “Fight Fire with Fire” to the acoustic sadness of “Fade to Black.” Fourth album …And Justice for All (1988) takes Metallica’s long, complex songwriting to its endpoint as they dealt with their grief-did they ever really deal with it?-over bassist Cliff Burton’s sudden death. Debut album Kill ‘Em All (1983) with its rough, raw, mile-a-minute riffs wears its Motorhead influences on its sweaty denim sleeve. All in all, S&M2 exceeds the initial hype and excitement as yet another stellar live record from Metallica.For a lot of fans, their favorite Metallica album is one of the first five. The performance from both Metallica and the San Francisco Symphony is incredible and the arrangements made that allow for the Symphony to play alongside Metallica in such a complimentary manner that elevates the songs and highlights particular moments, while also adding to both tension and a sense of climax, are simply brilliant. S&M2 falls into the latter where Metallica have released countless live albums – nearly every concert from the past decade has been recorded and released digitally – and despite already releasing a collaborative album with a symphony, S&M2 still manages to rise above as a unique sequel and a stunning example of the continued innovation that can go into making a live album. Sometimes the audience wants a recreation of the concert experience from a particular tour or era on other occasions, that isn’t enough. It is surprising, however, to hear more recent songs, such as “The Day That Never Comes”, “Confusion”, “Moth Into Flame”, and “Halo On Fire”, alongside the hits as standout tracks that further intensify the experience and spectacle of the performance. It goes without saying that the quintessential hits like “One”, “Master Of Puppets”, Nothing Else Matters” and “Enter Sandman” – the closing four songs – are larger-than-life musical experiences that go far beyond their original recordings in such a fantastical and climatic manner. Throughout its 22 tracks – clocking in at just under two and a half hours – S&M2 is a monster of a live record that takes listeners on a reflective and introspective journey through Metallica’s iconic catalogue. Between the first three tracks, the tone is set, and S&M2 is already a winner. The musicianship between both ensembles is incredible, and the arrangements bring Metallica’s discography to life in a career-spanning set.
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The collision of hard-hitting metal and symphonic musicianship is not only in full force, but is truly exemplary. The show, however, truly kicks off with “For Whom The Bell Tolls”. In true Metallica fashion, S&M2 opens with a live rendition of “The Ecstasy Of Gold” – a fitting tribute to the recently deceased Ennio Morricone – that showcases the San Francisco Symphony before Metallica take the stage with the instrumental “The Call Of Ktulu”. S&M2 captures Metallica’s collaborative concert with the San Francisco Symphony from 2019 that breathes a new and fresh sense of life into the band’s vast catalogue, including some of their greatest hits, their deepest of cuts, and more recent material from 2016’s Hardwired… To Self-Destruct, their most recent studio album. Given the success of 1999’s S&M and, more recently, 2019’s acoustic Helping Hands… Live & Acoustic At The Masonic, Metallica have returned with S&M2 a sequel to their 1999 live album which saw them perform classic material alongside an orchestra.